Michael Thomas

Butterfly Kisses

Uncle Joe trains his cadre in warrior skills and warrior virtues. His clients have ways, means, and the occasional nagging problem. Discreet and effective, Joe's reputation for resolving those problems is unparalleled. Joe is content. Joe's clients are content... Until Mari, Joe's star pupil, trashes a client's border factory in Juarez. Leaving devastation in her wake, she then heads south. Joe means to have her back. His client means to have compensation. Things come to a head in Mexico City, the world leader in urban eccentricity. This is a novel of international intrigue like no other. Owls take vermin by night in the metropolis; Monarch butterflies cluster on the sides of nearby volcanoes; and the human drama plays out as Mari struggles to shake free of forces that mass against her.

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Ostrich

Nevada sheep rancher Sabine Eckleberry’s life is in shambles. His wife has decamped to Arizona to run a dog-grooming business; his youngest daughter needs a husband; his irrepressible son VJ wants to turn the ranch into an ostrich-breeding operation; and the wild burros he has adopted to guard his sheep can’t get along with their charges. Now his family and friends are about to descend on the ranch to celebrate Sabine’s seventy-second birthday. The ranch is soon a chaos of budding and blighted romances, mistaken identities, rampaging poodles, runaway sheep, schemes of seduction and sudden wealth, and a newly hatched ostrich chick in search of love. Novelist Michael A. Thomas has created a cast of memorable human characters, a supporting cast of realistic animal personalities, and a colorful setting in Nevada’s rangeland. His keen ear for dialogue and his perfect timing support a plot as complicated and satisfying as a Shakespearean comedy.

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Hat Dance

What happens when a haphazard team of journalists find themselves in a foreign land? In Hat Dance author Michael A. Thomas relies on his background in Mexican culture to tell the story. Lee White, an American journalist journeys to the Indian village of Huatepec hosts his daughter, Courtney—a documentary filmmaker—and her boyfriend, Kevin—her Chicano technician. The three set out with the help of Lee’s partner, Checo Rivera, a Mexican photographer to capture the sights and sounds of the holiday celebration, the Fiesta de Santiago Apostál. Along the way, White’s entourage of gringos and chilangos must broker cultural exchanges with villagers preoccupied with preparations for the fiesta, phlegmatic rural revolutionaries who are losing ground to the fiesta fervor, and nuns dedicated to charity and social justice. White’s entourage must also keep on the lookout for Lieutenant Campos, a military bureaucrat determined to root out the rebels, and Sam Cooke, an American soldier of fortune and sinister sometime associate of the Lieutenant. The good Lieutenant and the palpably dangerous Mr. Cooke are looking to sabotage the plans of the film crew and promote nefarious agendas of their own. The situation comes to a head as the Fiesta de Santiago explodes into the brash, sensory overloaded chaos that is the typical Mexican folk fiesta. Bands play, fireworks light up the summer sky, dance troops emerge, and the peasants feast and drink as if the past had collapsed and the future was a meaningless abstraction. Against the backdrop of the fiesta, White and the others find themselves involved in struggles that are as absurd as they are grim. The aftermath is not pretty but the film is in the can and the articles ready. Lee, Checo and the cadre of gringo journalists just need to get out of the mountains. But not before they’ve dealt with the cruel and senseless murder of some of the nuns, that Lee had characterised as “kind, dorky girls.” At the end of the novel, Lee has learned something about Love, something about redemption and reconciliation, and something about the persistence of evil.

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